Siobhan's Colorful Girlie Skull

I still occasionally get people who ask me with wide eyes, "So you just go up to people you don't know and ask them to take a picture of their tattoos?" Pretty much, yeah.

Despite this sometimes daunting hobby, I'm generally pretty comfortable just asking away. Occasionally, however, I am quite self-conscious, fearing that I'll come across as creepy, which is why you rarely see lower back tattoos here on Tattoosday. I only show them when they are offered. Similarly, when a woman has a colorful or elaborate chest piece, I try not to make that the center of my focus and, again, I generally only ask about it if it's exceptional or very interesting.

Such was the case with Siobhan, who I spotted outside of Penn Station on the corner of 31st Street and 7th Avenue last last month. She has three tattoos, but this piece was the only one I really noticed, not necessarily because of where it was, but because of its colorful playfulness:

Siobhan credits this piece to a free-lance tattoo artist in Philadelphia named Joe Tizzo. She says she wanted a girlie skull, and this was his creation. He added the flurries of stars to fill out the piece. I particularly like the use of negative space and the use of  multi-colored dots to add a little zip to the edges of the tattoo.

Thanks to Siobhan for sharing her beautiful tattoo with us here on Tattoosday!

Siobhan's Colorful Girlie Skull

I still occasionally get people who ask me with wide eyes, "So you just go up to people you don't know and ask them to take a picture of their tattoos?" Pretty much, yeah.

Despite this sometimes daunting hobby, I'm generally pretty comfortable just asking away. Occasionally, however, I am quite self-conscious, fearing that I'll come across as creepy, which is why you rarely see lower back tattoos here on Tattoosday. I only show them when they are offered. Similarly, when a woman has a colorful or elaborate chest piece, I try not to make that the center of my focus and, again, I generally only ask about it if it's exceptional or very interesting.

Such was the case with Siobhan, who I spotted outside of Penn Station on the corner of 31st Street and 7th Avenue last last month. She has three tattoos, but this piece was the only one I really noticed, not necessarily because of where it was, but because of its colorful playfulness:

Siobhan credits this piece to a free-lance tattoo artist in Philadelphia named Joe Tizzo. She says she wanted a girlie skull, and this was his creation. He added the flurries of stars to fill out the piece. I particularly like the use of negative space and the use of  multi-colored dots to add a little zip to the edges of the tattoo.

Thanks to Siobhan for sharing her beautiful tattoo with us here on Tattoosday!

The Tattooed Poets Project: Grisel Acosta

Today's tattooed poet, Dr. Grisel  Y. Acosta, sends her submission in from Texas:

 Grisel explains this body art:

The Mets are kind of responsible for the tattoo I have on my arm and shoulder.  See, my husband is obsessed with the Mets and when we moved to San Antonio from the East Coast, he lamented not being able to see his team on a regular basis.  He was so puppy-dog sad that when he planned a trip to Houston purely on the basis of seeing the Mets play the Astros in Minute Maid Park, I couldn’t help but enthusiastically agree, just to see the wonderfully happy look on his face.  But, I said that if he was going to have a cool experience on the trip, I had to have one, too: I was to get my next tattoo at the famous Texas Body Art, known for countless features in tattoo magazines and highlighted appearances at tattoo shows across the country.  I wanted a skull with blue roses coming out of it but I was wavering about the idea.  Then, a dear friend reminded me of the literary connection of the image in Tennessee Williams’ The Glass Menagerie, one of my favorite plays by one of my favorite writers.  Ah, yes, the idea was perfect—and the trip was, too!  The Mets won in a record 17 innings!  And I won a professional work of art that was designed on the spot in a matter of minutes by the skilled artists at Texas Body Art.  Sweet!

For people not familiar with The Glass Menagerie, one of the characters, Laura, has the nickname "Blue Roses".

Grisel also sent along this poem:

Trash

Papi threw out all my artwork.

Derek’s carved open chest,

blue-black heart and orange skin in

Design marker scrawl,

condemning our underground afternoon of

Southside sad lust.

A spotlighted box of cereal called “Health”

in a room with a grass floor, pine tree

decoration, and chopped lumber sitting neatly.

Acrylic nature.  I miss this one the most.

I am reminded of it every time I shop at Whole Foods.

Even the two-bits.  Tiny 2x2 art,

entered in competition, or sold.

Two of mine won awards.

One of them, my first sale, was bought for $5.

It was a multi-colored, swirling cathedral called “My Bed.”

I placed all the work under the bed

in the guest room.  By my next visit,

it was gone,

except for “Insane Bridget.”

She is framed and in the living room,

face turned away, bony back

curved at the viewer, harsh

charcoal on brown paper.

Dark copper sadness, winner of a gold prize.

Papi values winning.

Anything else is trash.

And this is why, today, he is so afraid,

scared that retirement means he, too, is trash,

wary of children who might find him useless.

But artists make beauty out of trash.

We roll in the discarded and live with its decline,

listen to it crumble and make the sound song,

cradle it in our hands and sculpt it useful.

 ~ ~ ~

Dr. Grisel Y. Acosta recently graduated from the doctoral program in English at the University of Texas at San Antonio, where she was also the managing editor of UTSA’s art and literature journal, SagebrushReview.  Some of her creative work can be found in After Hours, Pembroke Magazine, MiPoesias, the NAACP Image Award nominated Check the Rhyme, PrivateInternational Photo Review, and Voicesde la Luna.  Some of her scholarly work can be found in African AmericanWomen’s Language, Western AmericanLiterature, The Handbook ofLatinos/as and Education, and the forthcoming Routledge Companion to Latino/a Literature.  Her influences include her Cuban/Colombian heritage, Chicago—where she was born, house and punk music, sci-fi and cyberculture.

A sincere thanks to Grisel for sharing her tattoo and poem with us here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Grisel Acosta

Today's tattooed poet, Dr. Grisel  Y. Acosta, sends her submission in from Texas:

 Grisel explains this body art:

The Mets are kind of responsible for the tattoo I have on my arm and shoulder.  See, my husband is obsessed with the Mets and when we moved to San Antonio from the East Coast, he lamented not being able to see his team on a regular basis.  He was so puppy-dog sad that when he planned a trip to Houston purely on the basis of seeing the Mets play the Astros in Minute Maid Park, I couldn’t help but enthusiastically agree, just to see the wonderfully happy look on his face.  But, I said that if he was going to have a cool experience on the trip, I had to have one, too: I was to get my next tattoo at the famous Texas Body Art, known for countless features in tattoo magazines and highlighted appearances at tattoo shows across the country.  I wanted a skull with blue roses coming out of it but I was wavering about the idea.  Then, a dear friend reminded me of the literary connection of the image in Tennessee Williams’ The Glass Menagerie, one of my favorite plays by one of my favorite writers.  Ah, yes, the idea was perfect—and the trip was, too!  The Mets won in a record 17 innings!  And I won a professional work of art that was designed on the spot in a matter of minutes by the skilled artists at Texas Body Art.  Sweet!

For people not familiar with The Glass Menagerie, one of the characters, Laura, has the nickname "Blue Roses".

Grisel also sent along this poem:

Trash

Papi threw out all my artwork.

Derek’s carved open chest,

blue-black heart and orange skin in

Design marker scrawl,

condemning our underground afternoon of

Southside sad lust.

A spotlighted box of cereal called “Health”

in a room with a grass floor, pine tree

decoration, and chopped lumber sitting neatly.

Acrylic nature.  I miss this one the most.

I am reminded of it every time I shop at Whole Foods.

Even the two-bits.  Tiny 2x2 art,

entered in competition, or sold.

Two of mine won awards.

One of them, my first sale, was bought for $5.

It was a multi-colored, swirling cathedral called “My Bed.”

I placed all the work under the bed

in the guest room.  By my next visit,

it was gone,

except for “Insane Bridget.”

She is framed and in the living room,

face turned away, bony back

curved at the viewer, harsh

charcoal on brown paper.

Dark copper sadness, winner of a gold prize.

Papi values winning.

Anything else is trash.

And this is why, today, he is so afraid,

scared that retirement means he, too, is trash,

wary of children who might find him useless.

But artists make beauty out of trash.

We roll in the discarded and live with its decline,

listen to it crumble and make the sound song,

cradle it in our hands and sculpt it useful.

 ~ ~ ~

Dr. Grisel Y. Acosta recently graduated from the doctoral program in English at the University of Texas at San Antonio, where she was also the managing editor of UTSA’s art and literature journal, SagebrushReview.  Some of her creative work can be found in After Hours, Pembroke Magazine, MiPoesias, the NAACP Image Award nominated Check the Rhyme, PrivateInternational Photo Review, and Voicesde la Luna.  Some of her scholarly work can be found in African AmericanWomen’s Language, Western AmericanLiterature, The Handbook ofLatinos/as and Education, and the forthcoming Routledge Companion to Latino/a Literature.  Her influences include her Cuban/Colombian heritage, Chicago—where she was born, house and punk music, sci-fi and cyberculture.

A sincere thanks to Grisel for sharing her tattoo and poem with us here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Steven D. Schroeder

Today's tattooed poet is Steven D. Schroeder, who sent us this photo of one of his three tattoos:

Steven explains about this, and his other two tattoos:

"I have three tattoos. The first is an eye at the base of my neck, which I acquired on a complete whim at the age of about 25 because I decided I should have a tattoo. I liked the design, but people frequently can't tell what it is, and the color washed out a little because I didn't yet know how to care for a tattoo. The second is a brain tattoo on my left shoulder. Shortly after I got that tattoo, I knew I would need a third, because I am obsessive-compulsively symmetrical about some things, and it drove me crazy to have only one shoulder marked. So this skull is on my right shoulder. Both the brain and skull came from a shop in Colorado Springs called R-U Tattooed, which I recommend."

Here's a "crisper" look:

Steven sent us this poem, whose title, he admits, he "stole" from "Autumn Begins in Martin's Ferry, Ohio," by James Wright:

Their Sons Grow Suicidally

Beautiful isn’t spoken aloud.

This Paxil lacks the overdose

Of those backseat lovers cold and cloud,

This nude bed’s not yet said screw yourself

Up to stick the point of the pen

In psychiatry’s eye, this dad adopts

Friend nicknames that amputate the end,

This laboratory test job offers options

Of food or shock from the buzzer button.

Eat that and shit and laminate

Paper tattooed with blueprints and batter

Your limbic system with bottles and sleep

Interrupted. They call it getting better.

~ ~ ~

Steven D. Schroeder’s first book of poetry is Torched Verse Ends (BlazeVOX [books]). 

His poems are available or forthcoming from Pleiades, The Journal, Copper Nickel, Sou’wester, and The Rumpus. He edits the online poetry journal Anti-, serves as a contributing editor for River Styx, and works as a Certified Professional Résumé Writer.

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

 

The Tattooed Poets Project: Steven D. Schroeder

Today's tattooed poet is Steven D. Schroeder, who sent us this photo of one of his three tattoos:

Steven explains about this, and his other two tattoos:

"I have three tattoos. The first is an eye at the base of my neck, which I acquired on a complete whim at the age of about 25 because I decided I should have a tattoo. I liked the design, but people frequently can't tell what it is, and the color washed out a little because I didn't yet know how to care for a tattoo. The second is a brain tattoo on my left shoulder. Shortly after I got that tattoo, I knew I would need a third, because I am obsessive-compulsively symmetrical about some things, and it drove me crazy to have only one shoulder marked. So this skull is on my right shoulder. Both the brain and skull came from a shop in Colorado Springs called R-U Tattooed, which I recommend."

Here's a "crisper" look:

Steven sent us this poem, whose title, he admits, he "stole" from "Autumn Begins in Martin's Ferry, Ohio," by James Wright:

Their Sons Grow Suicidally

Beautiful isn’t spoken aloud.

This Paxil lacks the overdose

Of those backseat lovers cold and cloud,

This nude bed’s not yet said screw yourself

Up to stick the point of the pen

In psychiatry’s eye, this dad adopts

Friend nicknames that amputate the end,

This laboratory test job offers options

Of food or shock from the buzzer button.

Eat that and shit and laminate

Paper tattooed with blueprints and batter

Your limbic system with bottles and sleep

Interrupted. They call it getting better.

~ ~ ~

Steven D. Schroeder’s first book of poetry is Torched Verse Ends (BlazeVOX [books]). 

His poems are available or forthcoming from Pleiades, The Journal, Copper Nickel, Sou’wester, and The Rumpus. He edits the online poetry journal Anti-, serves as a contributing editor for River Styx, and works as a Certified Professional Résumé Writer.

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

 

Tattoos I Know: A Medley from Maida

It's safe to say that Maida has been a fan of Tattoosday from its earliest days.

Over the last three years, a day generally doesn't go by without our discussing ink. As a co-worker, and a friend, she's a regular visitor to the site.

Which is why one might wonder why her tattoos have taken this long to appear on Tattoosday. I even recall discussing with her potential designs as she researched new ideas.

We always talked about me taking pictures, but it never came to fruition.

However, yesterday the stars aligned and we got our collective acts together. Let's take a look, shall we?

I'm starting with my favorite pair of the three she is sharing (out of four, in all):

These two are pretty cool, and the top one. a triquetra, I remember her spending a lot of time thinking about.
She feels that it also acts as protection, warding off the evil eye:

Below that is a butterfly that is not your standard design. The wings' patterns resemble skulls:

Maida says this dual image, the softness of the butterfly and the roughness of the skulls, represents the two sides of life, and is a double-edged sword. The kanji represent the symbols for power (top) and strength (bottom).

Maida also shared this tattoo on the outside of her right calf, above the ankle:

Maida got this, along with her friend Kathy, as a testament to "the strong bond and love between two best friends". They each have it on the same spot, although Kathy's butterfly has lavender wings, whereas Maida's are turquoise.

All of Maida's tattoos above were inked by an artist named JStar, whose website is here. The site includes photos of more of her work and is well worth a look.

Thanks to Maida for sharing her tattoos with us here, finally, on Tattoosday! We look forward to seeing more in the future!

Tattoos I Know: A Medley from Maida

It's safe to say that Maida has been a fan of Tattoosday from its earliest days.

Over the last three years, a day generally doesn't go by without our discussing ink. As a co-worker, and a friend, she's a regular visitor to the site.

Which is why one might wonder why her tattoos have taken this long to appear on Tattoosday. I even recall discussing with her potential designs as she researched new ideas.

We always talked about me taking pictures, but it never came to fruition.

However, yesterday the stars aligned and we got our collective acts together. Let's take a look, shall we?

I'm starting with my favorite pair of the three she is sharing (out of four, in all):

These two are pretty cool, and the top one. a triquetra, I remember her spending a lot of time thinking about.
She feels that it also acts as protection, warding off the evil eye:

Below that is a butterfly that is not your standard design. The wings' patterns resemble skulls:

Maida says this dual image, the softness of the butterfly and the roughness of the skulls, represents the two sides of life, and is a double-edged sword. The kanji represent the symbols for power (top) and strength (bottom).

Maida also shared this tattoo on the outside of her right calf, above the ankle:

Maida got this, along with her friend Kathy, as a testament to "the strong bond and love between two best friends". They each have it on the same spot, although Kathy's butterfly has lavender wings, whereas Maida's are turquoise.

All of Maida's tattoos above were inked by an artist named JStar, whose website is here. The site includes photos of more of her work and is well worth a look.

Thanks to Maida for sharing her tattoos with us here, finally, on Tattoosday! We look forward to seeing more in the future!